thesuburbanymythology.wordpress.com this ill-fit daydream feels familiar for this is not the first time I have spent seven hours walking through the dully-lit depths of sunken suns so if I’m sinking stop me when the morning crashes under that violent...

thesuburbanymythology.wordpress.com

this ill-fit daydream
feels familiar

for this is not the first time
I have spent seven hours

walking through the dully-lit
depths of sunken suns

so if I’m sinking
stop me when the morning crashes

under that violent explosion
that made the universe

into everything that is not
nothing, now

and if I do not belong
drifting or sifting through time

like falling pollen or dust
as it crosses the sky

reduce me to the infinity
of the void

and tell me how it is peculiar
to find the essence of ghosts

and deny them a finite reality

Every philosophy is practical, even the one which at first appears to be the most contemplative. Its method is a social and political weapon.
- Jean-Paul Sartre, “Search for a Method” (via sisyphean-revolt)
thunderstruck9: “Yayoi Kusama (Japanese, b. 1929), Rain on a Lake, 1979. Enamel paints and ink on Japan paper, 27 x 24 cm ”

thunderstruck9:

Yayoi Kusama (Japanese, b. 1929), Rain on a Lake, 1979. Enamel paints and ink on Japan paper, 27 x 24 cm

avoyageforever:

I live in one of the most beautiful parts of the country. Northern California will always, always be home.

thunderstruck9: “ Lena Cronqvist (Swedish, b. 1938), Snödroppar [Snowdrops], 1974. Canvas, 52 x 62 cm. ”

thunderstruck9:

Lena Cronqvist (Swedish, b. 1938), Snödroppar [Snowdrops], 1974. Canvas, 52 x 62 cm.